Documentary · 2026

The Sadu Weavers

Ten days in February with eight weavers in and around Al Ain, for a collective telling its own story for the first time.

Older Emirati woman weaving Al Sadu on a ground loom in a shaded courtyard

The commission

The story

The weavers of the Ghazal collective work at home, in courtyards and majlis rooms around Al Ain, on ground looms staked out the way their mothers set them. Al Sadu, the Bedouin weaving of red, black and white wool, is on UNESCO’s list of intangible heritage, and the collective wanted pictures for a small book and a touring exhibition, made with the weavers rather than of them.

I spent ten days in Al Ain in February, which meant long drives between villages, a lot of gahwa and dates, and asking before every single picture. Each weaver chose where she wanted to be photographed and what she wanted to show: Moza her hands on the warp, Hessa the doorway of her old room at the edge of the oasis, Shamsa the shelves of yarn she spins and dyes herself.

Several of the women preferred not to show their faces, and that shaped the book as much as anything: hands, tools, rooms and light. Most of the pictures were made in the shade of a doorway in the last hour of the afternoon. Every weaver received a signed print of her own portrait before anything was published.

From the shoot

Tap any photograph to see it larger.

  • Weaver at a Sadu ground loom in late-afternoon light
    Forty years of weaving, Al Hili
  • Small mud-brick room with a Sadu loom in the doorway, at the edge of a palm oasis
    The view she chose instead of a portrait
  • Weathered hands threading wool through the warp of a loom
    Two hours for a single new pattern
days in Al Ain
10
weavers photographed
8
pages in the book
64
Forty years at the loom and nobody had ever photographed my hands like that. She sent every weaver a print.
Moza Al DhaheriWeaver, Ghazal Weavers’ Collective

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